The John Lennon Peace Wall | Prague 2010

The John Lennon Peace Wall | Prague 2010
John Lennon Peace Wall | Prague 2010 | Photo by Deborah S. Greenhut

About Me

United States
Deborah S. Greenhut, PhD, is a playwright, arts documentarian, and educator who began teaching in a one-room school house in rural New England during 1970. These days you can find me collaborating with urban educators and students, seeking new ways to make education artful. I have consulted on management skills and communication arts in 44 of the United States and 5 provinces in Canada. I believe that people learn more effectively through drama-assisted instruction, and I exploit the Internet to deliver it. The views expressed here are entirely mine and not those of any other institution or organization.

Wednesday, April 27, 2011

Rien de Rien: Living La Vita Meta

Hey-ho. Back from a long day at the SEO salt mines, I can tell you that it is difficult to write for optimization.  I am worried about Newspeakish behaviors. The search for words and ideas now depends so much on our laziness. So does our acceptance of the news. If we agree to stop at the first page of results, or to simply absorb uncritically everything that is broadcast, then not only is the search for information is not so much fun as it used to be, we limit our proficiency in finding the truth through words, and we accept print results even if they are inaccurate or wrong. As the focus shifts aggressively from informing to selling, we need to become more creative about how we look for knowledge and the truth.

Optimizers depend on generics and key word carelessness. They talk about providing “content,” when many are actually providing word fill, a verbal  equivalent to landfill. The meaning of a word is often obscured by these practices. The trick is to draw people to a website by means of word bait. And it works.

Take the word, “theory,” which is a useful scientific term that refers to a verified hypothesis or set of hypotheses that have become accepted as true. In careless modern practice, though, “theory” is a term that has better search results as an Adsense keyword term than “hypothesis,” so in the game of optimized key words, “theory” wins, even when it’s not an accurate description. Today, I googled “theory,” and, apart from links to definitions, what I found was that Donald Trump is said to have a “theory” about President Obama’s birth certificate. According to the Daily Beast, yesterday, however, perhaps upon learning that the White House was going to publish a copy of the real birth certificate after all, Mr. Trump appears to have moved on to a “theory” about the President’s college transcript.

Neither one of Trump’s pronouncements can be accurately called a “theory.” The risk of allowing him to call his ideas a “theory” is that in our complacency or amusement, we allow his hypothesis to gain both currency and volume views. In this way, if we are complacent about what appears on our screens, and if something is repeated often enough to acquire a hash tag, it may even acquire the status of a “theory,” or even a “law.” What results then is reminiscent of Newspeak, and, here, I am referring to the language advocated in George Orwell’s 1984, rather than a new programming language that is described (wink-wink) as "doubleplusgood."

Why do we allow ourselves to be distracted from any real consideration of issues? We try to teach schoolchildren how to distinguish the truth. Many take lab sciences and are exposed to the difference between a “hypothesis” and a “theory.” Why is that knowledge dropped along the way? Educated citizens need to do better than lazy searching, or they might as well kiss their freedom good-bye. Search results tend to become reflexive, referring back to themselves—that is why I included the word “meta” in the title of today’s entry. In languages derived from Latin, however, “meta” can also mean a “goal.”  If we have a goal in search, we are less likely to be victimized by other people’s goals or pseudo-theories.

“Nothing from nothing leaves nothing,” if you will allow me to join the musical messages of Edith Piaf and Billy Preston with the ancient philosophy ex nihilo, nihil fit.Yet when the words come out of nowhere, we should not allow their entertainment value to distract us from the truth. Indeed, people have accepted for a long time the expression, "Nothing comes from nothing"—and yes, you need to know the rule about double negatives here.  You can spend hours trying to track down the source of this "nothing" in Wikipedia, where various, disparate articles credit the phrase to either Parmenides, or Lucretius, or Empedocles, but, finally, you have to know "something" to evaluate "nothing." Despite all the cross-linking, you won't find  confirmation of the source for that expression among the links I have given you. Knowledge is not a rolling stone. Research, thought, and the truth are a lot more work than standing up in a crowded theater and yelling “theory.”

We can do better in searching for meaning. Try Googling the word “Lazy” and see if you notice that it’s also a town in the Czech Republic.  You know how to Google, doncha? Try the Advanced Search. Stretch your mind. If you dig through enough pages, maybe you’ll even find the lyrics to a delightfully energetic song by David Byrne.
 

Sunday, April 24, 2011

Ultimate Fusion? Science meets Dance

Speaking of poetry in motion, here's a dancer alert. All you need is a scientist who wants to compete.

Here's a link to an unusual fusion that takes collaboration to a new level--the 2010 Dance Your Ph.D. Contest.

NPR and The New York Times have profiled the competition, and it looks like a winner for trickle down interdisciplinary possibilities. So, find your favorite scientist and start choreographing for next year.

Saturday, April 23, 2011

Check out new article on The Rover Soho

The Rover Soho is a venue of creative opportunity for contemporary dancers and collaborative multi-genre artists. I've just posted a new article on suite101. Click here to go there. 

Here is a link to William Carlos Williams' poem, The Dance, plus a photo of the Brueghel painting, The Kermess, that inspired the writing. Use this link to hear Williams' reading the poem, courtesy of the wonderful Harper's Magazine archive, November 2008.

Thursday, April 21, 2011

Westfest Dance Next Weekend!

Check out:  Westfest Dance at the Cunningham Studio next weekend! Twenty-five dance companies, dance films, dancers!

Link the unlinkable; Think the unthinkable

Refreshing reminder from Philip Vassallo this morning...
Peace on this earth? Think the unthinkable...It's time to stop funding the killing.
Short poem for the large ideas of the day:
Fire and Ice, by Robert Frost.

Tuesday, April 19, 2011

Good-bye Grete Waitz

Rest in peace, Grete Waitz, October 1, 1953 - April 19, 2011.

In celebration of the woman athlete, here is a link to Nellie Wong's poem, Resolution.

Another, to Leslie Heywood's poem, For the Women's Cross Country Team, 1983  (Note:scroll down the article when you get to the page; the poem is indented.)

Here's to Grete who ran for the love of it.

Monday, April 18, 2011

The Value of Arts Education for Children

All math and no play-acting may not improve math scores as much as we would like. A combination of instruction might improve the performance of our students in both areas.

Still skeptical about the value of arts education for children? Here is a link to studies that show connections between academic performance, appropriate behavior, and attendance--the areas that address student success in school and in life from Americans for the Arts. Scroll down that page to find research connections for different genres. 

Check out the website River of Words, which teaches ecoliteracy through poetry and art. They put their money where their mouths are and sponsor a yearly competition for kids so we can all see the results. I especially enjoyed the 2010 Grand Prize winner Carolyn Dean's exquisite poem about saying good-bye to a friend, "Snapping Turtles." Tell me it does not give you the chills.

It takes a long time to grow a poetry habit. Honoring nature is a lifetime responsibility. In my opinion, art is never a waste of children's time, and the adults could derive a value or two from considering their work.

Sunday, April 17, 2011

Sweet Honey in the Rock: Poetry in Motion

I had the pleasure of seeing a performance by Sweet Honey in the Rock at Lincoln Center Jazz this weekend. Audio samples of their music can be found at this link:  SHIR

What you really want to do, though, is to go see and hear them live. Shirley Saxton, the founder of Children of Deaf Adults (CODA), who was seen first onstage while the other singers were only heard, makes a beautiful visual pun. She is the loveliest Sign Language interpreter, communicating equally with everyone. Her message is clear, her hands are graceful and brilliant, and her motion adds a layer of dance to the extraordinary singing voices of current members, Aisha Kahlil, Carol Maillard, Louise Robinson, Nitanju Casel, and Ysaye Barnwell. For this concert, to augment the jazz message of the event, Sweet Honey in the Rock was accompanied by Stacy Wade (musical director who also works with Al Green); Parker McCallister, a young and outrageously talented bassist; Jovol Bell, the versatile percussionist. This engagement comprised their tribute concert to the women's voices we have lost: Nina Simone, Miriam Makeba, and Odetta, with an additional tribute to Abby Lincoln. The concert concluded with a richly deserved standing O.

I haven't heard Sweet Honey sing live since the 1970s. I missed an evolution. Before singing Odetta's medley of freedom songs, which is a historical encyclopedia written in song, Barnwell told the audience that it would be a good idea for us to learn them: "You're going to need them," she said. Alas for us. For relief from the fears of the present moment, listen to "Breaths," especially. It will keep you warm on a cold night.

Friday, April 15, 2011

Bob Dylan: Musing about Freedom of Speech

Regarding the recent Maureen Dowd high horse about the politics of Bob Dylan allowing his play list to be censored in China, let me just say that I am hoping for a new flash of inspiration on the order of the 1987 rush that delivered the content of Oh Mercy. I refer you specifically to Everything is Broken, and I hope that my favorite lyrical gangster will turn his muse to the issue of the selling and slaughter of Chinese children to sustain the nation's economic miracle. It matters less that Bob Dylan brings his artistry to China than what he does when he returns home. I remain wordlessly  Waiting for the Song, not to mention Waiting on the World to Change.

Thursday, April 14, 2011

Freedom of the Press

There's a terrific museum in Washington called Newseum. The second wonderful thing about it concerns its online resources. Today, I reviewed the site's Freedom of the Press map. According to their ranking system, Finland, Sweden, Norway, and Iceland are most free. The United States ranks 9 out of the countries that appear among the free. The least free? North Korea.

The graphics and factual content are a wonderful teaching tool and easy to navigate.

True to its name, the Newseum holds archives of news photographs and a daily updated link to front pages from 869 newspapers from 89 nations.

This website illustrates the extraordinary potential of the Internet for learning.  If you are headed to Washington for your spring break, see it live!

Link to a poem about The News here.

Wednesday, April 13, 2011

Earth Day: The Day After

If you can stop trying to visualize a trillion for a moment, you may want to check out "A billion acts of Green," and think about what you can add to the movement.

On another note, if you are tempted to blame teachers for the pickle we are in, ask yourself this: "Remember when teachers, public employees, Planned Parenthood, NPR and PBS crashed the stock market, wiped out half of our 401Ks, took trillions in TARP money, spilled oil in the Gulf of Mexico, gave themselves billions in bonuses, and paid no taxes? Yeah, me neither." Check out zeitgeistmovement, among others.

Tuesday, April 12, 2011

American Dreamers



Program "Live Your Dream!"--Photo by D. S. Greenhut

How do you get to the Radio City Music Hall? Practice, of course. And it doesn't hurt to get a little help from The Garden of Dreams Foundation, Chelsea-born Whoopi Goldberg, and Phoenix Partners Group, in partnership with MSG Entertainment, numerous children's foundations in New York and New Jersey, and their friends. Last night, courtesy of Phoenix partners, I had the privilege of attending the annual "Live Your Dream Talent Show" at Radio City Music Hall. Never mind the free popcorn and soda (the food police were conspicuously absent) for everyone in the hall, let us turn to the hard work of making dreams come true for children who are working against some major personal obstacles. 

Each child had a story to tell, yet the focus was on their dreams and their performing arts talents. Moves were busted. Rhymes were worded. That Michael Jackson remains an inspirational force was hailed in the many spangled glove tributes. Singer Miguel lent a hand to a beautiful rendition of "Pure Imagination" with the Garden of Dreams Choir. The Beastie Boys introduced several acts, and Darryl McDaniels kept everyone pumped for the closing acts. Shades of "Little Miss Sunshine," Radio City Music Hall is a huge stage, and two World Famous Rockettes, Afra Hines and Corrine Tighe, shared their courage, escorting the dreamers on and offstage with their megawatt warm smiles and energy.

The kids worked hard to get to this place. They set aside personal hardships and obstacles to make it happen. My most teary-eyed moment, among many, was the experience of the Kennedy Brothers, James and Michael, who are sons of a 911 Hero firefighter, represented the Uniformed Firefighters Association with a beautiful piano duet, "The Dreamland Tree." Though their sheet music would not stay put, they soldiered on without missing a note, and it melted your heart.

If you have ever had stage fright, you know what it takes to get up there. Imagine connecting with a crowd in Radio City--New York City--for your first big break.

The arts have given these children a sense of purpose and a reason to excel. The youngest performer, Oscar Saltaimacchia, led the opening number with the group by dancing off his five-year old legs, and the surprising skills just continued to the powerful concluding soloists, Faith Brown (accompanied by Isaiah Brown), Mariah Martinez, and the percussionist 3M's. All ages were represented against a beautiful LED backdrop of floating balloons and the moon.

Garden of Dreams keeps the arts a live option. May they keep a good thing going. Let us have more of these nights. The days won't seem so long.
"Live Your Dream" Finale | Photos by D. S. Greenhut

Sunday, April 10, 2011

Howards Frog Produces Film Documentary for Across the Ages Dance Project

Howards Frog Productions is currently working on a film documentary for Across the Ages Dance Project.
You can find them on Facebook. (Click "Facebook" at left for the link!)

Eliza Mallouk and Marcie Mitler are producing this exciting, multigenerational evening of work by New England Choreographers Audra Carabetta, Joan Green, Daniel McCusker, Catherine Wagner, and Melody Ruffin Ward. Across The Ages Dance Project is pleased to announce their first annual concert June 17th & 18th, 2011 at Green Street Studios in Cambridge MA.

From the ATAD Mission Statement:
"Across The Ages Dance Project's Mission is to produce a concert emphasizing an inter-generational ensemble of dances featuring five unique choreographers.

We believe in the rich life experience of this mixed population, which includes dancers of all ages, and wish to create this opportunity for dancers and choreographers to come together and share their art with the larger community.

Our intention is to create one successful concert and in so doing, enhance the possibility of future concerts with an inter-generational theme."

Howards Frog completed interviews with the principals in October and will be filming rehearsals and the performances this spring to assemble a record of the project and create a festival quality film that documents the process.

Friday, April 8, 2011

Imagine Peace: Yoko Ono's Onochord

A few years ago, I took my students to see an exhibit of Yoko Ono's "Onochord." They all signed a map to indicate their participation in the event, so we are all part of an ever-evolving map of peace being spoken.

Here is Yoko on the subject of haiku.

Take a look at three early poems by Yoko, a survivor of so many experiences.

www.imaginepeace.com  is a wonderful place to visit.

If you are interested in the work of Yoko Ono, please visit this site where I published an article on "Onochord" today. Enjoy the peace. Perhaps if we all think very hard about it while the government plans to shut down, peace may come. Put your name on the map. Find a way.


Thursday, April 7, 2011

Get Ready for The White Room: Jennifer Muller | The Works Creates Poetry in Motion

It has been fifteen years since Jennifer Muller premiered a full-length dance piece. Welcome to "The White Room." Jennifer Muller | The Works is dancing all over the world  in sleek, fine form these days. This company has quietly cultivated the next generation of dancers in New York for more than 35 years through its school programs, a Works apprentice program, and The Hatch program for young dancers.

Nurturing creativity and self-esteem, they offer their gifts to young dancers everywhere. How fitting that this new work, "The White Room," addresses the experience of young person coming to terms with the world.

Preview "The White Room" here.

The White Room premiers on June 22, 2011 at the Cedar Lake Theater. Tickets available at this link.

Jennifer Muller was honored this month with a conference on her work at The University of Santa Barbara. You can enjoy some of the photos and details of the experience online. What a lovely generational tribute, organized with a National Endowment for the Arts grant by Christopher PIlafian, a former Muller | Works dancer. What goes around, comes around.
Be a friend to JMTW at Facebook!

Wednesday, April 6, 2011

Fragmenting History: Drowning in a Sea of Love Information


Apologies. I’ve been studying up on Search Engine Optimization (SEO) for another project, so I am drowning in key words. I feel a little fragmented this morning. I will get back to the poetry soon.

A history lesson. The topic is the mural in Maine. The issue is the erasure of the American Dream. Maybe it costs too much? If we cannot see a thing, we may not dare to try it. A 2008 mural, painted by Maine artist, Judy Taylor, was commissioned by the Maine Department of Labor to celebrate labor, and it was  paid for by Federal tax dollars.  The mural now sits in a warehouse awaiting a less prominent location.

There is, of course, an interesting irony in the locale, not to mention the insult to Frances Perkins, a Maine native and first woman to be named a Cabinet Secretary and the longest serving Secretary of Labor. The story is that Governor LePage is trying to make the state more welcoming to business, so a mural was removed from the Department of Labor.  Well, at least art has not lost its power to offend.

The mural might have experienced only its Warholian 15 minutes of fame had it not been for the war against workers that rages daily in America. Which part of history do you want students to know? So much information comes to us through colliding bits of information these days…This morning on CNN, Dr.  Elizabeth Cohen discussed CAT Scan over-exposures to children in hospital emergency rooms, and Christine Romans remarked how ironic it was that we now “understood” measurements of radiation exposure, but we wouldn’t have known about millisevert had it not been for the incident in Japan…SEO Alert--Transcript key word: Be Weary [sic] of Multiple Cat Scans.


Yes, we are. Weary. But, during the 1950s, we knew what a millisevert was when we went to school. We knew which foods to eat or stay away from. We knew the shelter position. What kind of critical thinking succeeded that knowledge? A half century of implementing nuclear power solutions, an arms race, and Homer Simpson, nuclear plant worker. Our knowledge is constantly fragmenting. A fact swims up and is drowned by a wave of other facts. How do we know what is important? What skills do children need to become educated citizens in the world? Should they learn that a Governor can sacrifice the First Amendment  to the whims of business? Cherry tree politics.

Fragmentation can be a wonderful thing when it exposes the structure of a complicated world. The dissonant chords of Dave Brubeck’s jazz experiment, Some Day My Prince Will Come,  or William Carlos Williams’ exquisite poem, The Descent, or Don MacLean's deliciously allusive soup in The Day the Music Died, or, yes, the structured panels of Judy Taylor's labor-celebrating mural. A good education will show us how to read between the lines and savor.
Helter Skelter. We remember, or we do not. Word has come that Lindsay Lohan may play Sharon Tate in an upcoming film about the murderer, Charles Manson, "Eyes of a Dreamer." There is some entertainment value in that, I suppose. But I also think that we need to think as if our lives depended on it. If we disappear our arts, our values go disappear along with them. Anyone can make a line. A caring society understands when it needs to be crossed.

Tuesday, April 5, 2011

Uncommon Woman: 1958 Pulitzer Prize for Kettin Frings

Today, I published an article on Ketti Frings, who won the Pulitzer Prize for Drama in 1958 for adapting Thomas Wolfe's Look Homeward Angel for the Broadway stage.  Sweet inspiration.

Check it out here:

The Blue Period in Art and Poetry: “You do not play things as they are”


Pablo Picasso painted it…Wallace Stevens wrote about it…David Hockney was inspired to make 20 etchings of it…What is it? A blue guitar. Yesterday I had the pleasure of reveling in guitars at the Metropolitan Museum of Art in New York. Guitars and similar stringed instruments, particularly the lute and mandolin, are on display, including a number of blue guitars. The story of guitar-making in the United States is a fascinating tale of immigrant success based on a love sound and beautiful design. Here’s a virtual field trip in case your plans do not include the Big Apple before the Fourth of July:

Here is a link to the Metropolitan Museum exhibit that started me thinking:

If you have an I-phone or I-Pad, you can also download the audio guide through I-tunes.

If you haven’t succumbed to the I-Age, here’s a preview that will whet your appetite

To track the train of inspiration, go to these Picasso Links from the Chicago Art Institute:



At the Museum of Modern Art, New York, you can see Picasso’s Three Musicians.


Wallace Stevens’ long poem, “The Man with the Blue Guitar,” will repay your patience. A U Penn professor has excerpted it here:
I hope you are not in such a rush…

In a lovely return from one art to another, David Hockney created 20 etchings in response to Wallace Stevens’ poem, and you can see and read about these here:

Are you an art teacher hoping to integrate these ideas through a critical thinking exercise? Give your students a chance to create individual blue guitars and write about them with the Picasso-Blue Guitar Art Project:

If the coloring book is your tool of choice, here is a link to a page featuring Picasso’s The Old Guitarist, as a blank canvas.

What color is your guitar today? Is your day green? Share your story.

Sunday, April 3, 2011

National Poetry Month continues








Here is a link to the "My Favorite Poem Project":

http://www.favoritepoem.org/index.html


Have you posted your favorite one? What is it?

Here is a link to the obituary of Mona Van Duyn, the first woman Poet Laureate of the United States:

http://www.desmoinesregister.com/apps/pbcs.dll/article?AID=/99999999/FAMOUSIOWANS/603120338


Scroll down. You can see her first lovely poem about a little chick and a mother hen. Then, go to the library and check out one of her books. Read a poem tonight. Open the door!

Saturday, April 2, 2011

Poetry

Here it is National Poetry Month. In T. S. Eliot’s The Waste Land, it’s also “the cruelest month,” perhaps as a jab at an early luminary in English poetry, Geoffrey Chaucer, who found it a kinder, more life-giving calendar moment in the Prologue to the Canterbury Tales. So, what’s happening today?

In the hemisphere where I live and work, people traditionally try to get outside after the heaviness of winter lifts. Snowmen have mostly melted to reveal the greening ground. Some of the news outside is still not pretty, though. You may need what Wallace Stevens called "a mind of winter," in The Snow Man, to process the following items. I wish you well in your thinking as you ponder these outdoor moments.

1) There is so much nuclear-contaminated water at the Fukishima plant that storage space has become a huge issue. Read about how a barge, currently serving as an offshore leisure park,  will store some of it.

2) The Persimmon Place Townhouse Community in Edgewater Florida is seeking to prohibit children from playing outside or in driveways. Games like “tag” will be forbidden because there are no playgrounds and the community surrounds a parking lot. This could be the last gasp for the skateboard and Spaldeens.

Childhood. Spring. Nuclear winter.

The womb may be the only safe place for people. No wonder it is being hijacked by politicians.

Read a poem today. Here’s a link to “[in Just-],” by  e. e. cummings:


You can read the title whichever way you prefer. I think he wanted to have it both ways.


Friday, April 1, 2011

Blueberry or cherry? Numbers a la mode


Understanding the significance of numbers presents difficulties for people.  Abilities vary. In a Radiolab podcast today, for example, the artist, Chuck Close, commented that his own inability to do elementary arithmetic stems from a learning disability. Once we leave math class behind, many of us have trouble imagining what numbers mean or how to compare them. Using a picture can help. The reliable pie chart is often a good starting point for understanding percentages. Visual analogies—Do we mean a quart or a gallon when we talk about a leak?—can help us understand the magnitude of a quantity.

In TV Land, Fox News provides frequent, confusing interpretations of statistics. On Monday this week, our educational issues were showing in the network's morning broadcast. Megyn Kelly, a morning news reader frequently cited for her issues with numbers, froze when commentator Stuart Varney tried to explain that the number 500,000--as in layoffs--would be more significant in Britain than in the U.S. if you looked at the number as a percent of population. As Kelly’s deer-in-the-headlights look widened, Varney struggled to make this perspective concrete. Ms. Kelly was unable to get in touch with her inner pie chart. Varney gave up. I pedaled harder on the cross-trainer to overcome my disbelief.

Now I’m not generalizing about Americans and numbers, but I am worried about the staying power of classroom instruction given the public ignorance that is on display every day. Journalists could give students a good example about how to manage language and numbers instead of providing comedy show fodder.  Teachers would probably appreciate an enhanced cultural standard for presenting information to a general audience. Dare we hope for Edward Tufte's ideas about The Visual Display of Quantitative Information to get more play?

Students see more television than instruction during the week, so what do you think will stay with them?  There is a civic reward in representing numerical information with elegance. It helps us find the truth instead of the spin. We could all take a little more time to figure things out. Think about the value and values added.

Have you checked out Megapenny to see what a trillion looks like? Or have you given up on understanding the deficit? We all need to get beyond hopeless, or poor education will be the least of our problems.