The John Lennon Peace Wall | Prague 2010

The John Lennon Peace Wall | Prague 2010
John Lennon Peace Wall | Prague 2010 | Photo by Deborah S. Greenhut

About Me

United States
Deborah S. Greenhut, PhD, is a playwright, arts documentarian, and educator who began teaching in a one-room school house in rural New England during 1970. These days you can find me collaborating with urban educators and students, seeking new ways to make education artful. I have consulted on management skills and communication arts in 44 of the United States and 5 provinces in Canada. I believe that people learn more effectively through drama-assisted instruction, and I exploit the Internet to deliver it. The views expressed here are entirely mine and not those of any other institution or organization.

Sunday, July 3, 2011

How Puppets Get Real in War Horse at Lincoln Center

War HorseThe transplanted production values of the National Theatre of Britain's War Horse, now a multiple Tony Award winner playing at Lincoln Center Theater, are so extraordinary that some of them should be marked adults only. Not that the production offers nothing to children. It offers quite a lot. But the vivid reality of early twentieth century war, as created by Handspring Puppet Company of South Africa, may be frightening to younger children. So, pack up your less easily frightened 'tweens and teens, and visit this production. You will fall in love with beautiful horses all over again. Though the outlines of the endearing story of the equine sacrifice during World War I continues to stir the heart as it did in Michael Morpurgo's original short book, the fiery horrors of the battlefield feel more than a little close for comfort in the intimate surround of the Vivian Beaumont Theater. It's riveting theater and much larger than the original story. Better than virtual reality, the play borrows techniques from film to absorb you in its world. The horses are watching you, and they will respond. Get off the couch.

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